Ray followed Hughes to his grave in the place where Denton and his children were already laid. It did not seem as if the old man were more related to them in death than he had been in life by their propinquity; but it satisfied a belated maternal and conjugal sentiment in Mrs. Denton. She did not relinquish the leading place in the family affairs which she had taken in her father’s last days. She decided against staying in their present apartment after their month was out, and found a tiny flat of three rooms in a better neighborhood down-town, where she had their scanty possessions established, including the cat.
Kane did not go to the funeral because of a prejudice which he said he had against such events; David Hughes, he said, would have been the first to applaud his sincerity in staying away. But he divined that there might be need of help of another kind in the emergency, and he gave it generously and delicately. He would not suffer Mr. Brandreth to render any part of this relief; he insisted that it was his exclusive privilege as Hughes’s old friend. Now that David was gone, he professed a singularly vivid sense of his presence; and he owned that he had something like{327} the pleasure of carrying a point against him in defraying his funeral expenses.
Hughes’s daughters accepted his help frankly, each after her kind: Mrs. Denton as a gift which it must long continue to be; Peace as a loan which must some day be repaid. The girl went back to her work in due time, and whenever Ray visited his publisher he saw her at her desk.
He did not always go to speak to her, for he had a shamefaced fear that she was more or less always engaged in working up hints from Mr. Brandreth into paragraphs about a A Modern Romeo. His consciousness exaggerated the publisher’s activity in this sort; and at first he shunned all these specious evidences of public interest in the forthcoming novel. Then he began jealously to look for them, and in his mind he arraigned the journals where they did not appear for envy and personal spite. It would have been difficult for him to prove why there should have been either in his case, unless it was because their literary notes were controlled by people whose books had been ignored or censured by Every Evening, and this theory could not hold with all. Most of the papers, however, published the paragraphs, with that munificence which journalism shows towards literature. The author found the inspired announcements everywhere; sometimes they were varied by the office touch, but generally they were printed exactly as Mr. Brandreth framed them; however he found them, they gave Ray an insensate joy. Even the paragraphs in the trade journals, purely{328} perfunctory as they were, had a flavor of sincere appreciation; the very advertisements which accompanied them there affected him like favorable expressions of opinion. His hunger for them was inappeasable; in his heart he accused Mr. Brandreth of a stinted proclamation.
The publisher was hurrying the book forward for the summer trade, and was aiming it especially at the reader going into the country, or already there. He had an idea that the summer resorts had never been fully worked in behalf of the better sort of light literature, and he intended to make any sacrifice to get the book pushed by the news companies. He offered them rates ruinously special, and he persuaded Ray to take five per cent. on such sales if they could be made. He pressed forward the printing, and the author got his proofs in huge batches, with a demand for their prompt return. The nice revision which he had fancied himself giving the work in type was impossible; it went from his hand with crudities that glared in his tormented sense, till a new instalment eclipsed the last. He balanced the merits and defects against one another, and tried to believe that the merits would distract the attention of criticism from the defects. He always knew that the story was very weak in places; he conceived how it could be attacked in these; he attacked it himself with pitiless ridicule in a helpless impersonation of different reviewers; and he gasped in his self-inflicted anguish. When the last proof left his hands the feeblest links were the strength of the whole{329} chain, which fell to pieces from his grasp like a rope of sand.
There was some question at different times whether the book had not better be published under a pseudonym, and Ray faithfully submitted it to the editor of Every Evening, as something he was concerned in. It was to be considered whether it was advisable for a critic to appear as an author, and whether the possible failure of the book would not react unfavorably upon the criticisms of the journal. The chief decided that it would make no difference to him, and at the worst it could do no more than range Ray with the other critics who had failed as authors. With the publisher it was a more serious matter, and he debated much whether the book, as a stroke of business, had not better go to the public anonymously. They agreed that P. B. S. Ray on the title-page would be rather formidable from the number of the initials which the reader would have to master in speaking of the author. Shelley Ray, on the other hand, would be taken for a sentimental pseudonym. They decided that anonymity was the only thing for it.
“But then, it will be losing the interest of your money, if the book goes,” Mr. Brandreth mused. “You have a right to the cumulative reputation from it, so that if you should write another”—
“Oh, don’t be afraid of there ever being another!” said Ray, with his distracted head between his hands. He suddenly lifted it. “What is the matter with the Spartan severity of S. Ray?{330}”
“S. Ray might do,” Mr. Brandreth assented, thoughtfully. “Should you mind my asking Mrs. Brandreth how it strikes her?”
“Not at all. Very glad to have you. It’s short, and unpretentious, and non-committal. I think it might do.”
Mrs. Brandreth thought so too, and in that form the author’s name appeared on the title-page. Even in that form it did not escape question and censure. One reviewer devoted his criticism of the story to inquiry into the meaning of the author’s initial; another surmised it a mask. But, upon the whole, its simplicity piqued curiosity, and probably promoted the fortune of the book, as far as that went.
There was no immediate clamor over it. In fact, it was received so passively by the public and the press that the author might well have doubted whether there was any sort of expectation of it, in spite of the publisher’s careful preparation of the critic’s or the reader’s mind. There came back at once from obscure quarters a few echoes, more or less imperfect, of the synopsis of the book’s attractions sent out with the editorial copies, but the influential journals remained heart-sickeningly silent concerning A Modern Romeo. There was a boisterous and fatuous eulogy of the book in the Midland Echo, which Ray knew for the expression of Sanderson’s friendship; but eager as he was for recognition, he could not let this count; and it was followed by some brief depreciatory paragraphs in which he perceived the willingness of Hanks Brothers{331} to compensate themselves for having so handsomely let Sanderson have his swing. He got some letters of acknowledgment from people whom he had sent the book; he read them with hungry zest, but he could not make himself believe that they constituted impartial opinion; not even the letter of the young lady who had detected him in the panoply of his hero, and who now wrote to congratulate him on a success which she too readily took for granted. One of his sisters replied on behalf of his father and mother, and said they had all been sitting up reading the story aloud together, and that their father liked it as much as any of them; now they were anxious to see what the papers would say; had he read the long review in the Echo, and did not he think it rather cool and grudging for a paper that he had been connected with? He hardly knew whether this outburst of family pride gave him more or less pain than an anonymous letter which he got from his native village, and which betrayed the touch of the local apothecary; his correspondent, who also dealt in books, and was a man of literary opinions, heaped the novel with ridicule and abuse, and promised the author a coat of tar and feathers on the part of his betters whom he had caricatured, if ever he should return to the place. Ray ventured to offer a copy to the lady who had made herself his social sponsor in New York, and he hoped for some intelligent praise from her. She asked him where in the world he had got together such a lot of queer people, like nothing on earth but those one used to meet in the old days when one took{332} country board; she mocked at the sufferings of his hero, and said what a vulgar little piece his heroine was; but she supposed he meant them to be what they were, and she complimented him on his success in handling them. She confessed, though, that she never read American novels, or indeed any but French ones, and that she did not know exactly where to rank his work; she burlesqued a profound impression of the honor she ought to feel in knowing a distinguished novelist. “You’ll be putting us all into your next book, I suppose. Mind you give me golden hair, not yet streaked with silver.”
In the absence of any other tokens of public acceptance, Ray kept an eager eye out for such signs of it as might be detected in the booksellers’ windows and on their sign-boards. The placards of other novels flamed from their door-jambs, but they seemed to know nothing of A Modern Romeo. He sought his book in vain among those which formed the attractions of their casements; he found it with difficulty on their counters, two or three rows back, and in remote corners. It was like a conspiracy to keep it out of sight; it was not to be seen on the news-stands of the great hotels or the elevated stations, and Ray visited the principal railway depots without detecting a copy.
He blamed Mr. Brandreth for a lack of business energy in all this; he would like to see him fulfil some of those boasts of push which, when he first heard them, made him creep with shame. Mr. Brandreth{333} had once proposed a file of sandwich men appealing with successive bill-boards:
I.
Have you Read
II.
“A Modern Romeo?”
III.
Every One is Reading
IV.
“A Modern Romeo.”
V.
Why?
VI.
Because
VII.
“A Modern Romeo” is
VIII.
The Great American Novel.
Ray had absolutely forbidden this procession, but now he would have taken off his hat to it, and stood uncovered, if he could have met it in Union Square or in Twenty-third Street.{334}